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An exhibition guide for “Manifesta 9 The Deep of the Modern”
¥5,500
Exhibition guide for the 9th Manifesta, a contemporary art biennial held in Genk and Limburg, Belgium from June 2nd to September 30th, 2012.Manifesta is a biennale that is characterized by changing the venue every two years, and continues to explore the possibilities of an experimental biennale, focusing on publications and...
Documenta X: The Short Guide; Kurzfuhrer
¥0
A pocket-sized guidebook published in conjunction with the 10th Documenta held in Kassel, Germany from June 21 to September 28, 1997. Documenta, which started in Kassel in 1955, is a large-scale international art exhibition held every four or five years. That year, Catherine David became the first female artistic director...
Art-Rite by Edit DeAk and Walter Robinson
¥0
This is a collection of the periodical Art-Rite, published in New York between 1973 and 1978 by Walter Robinson and Edit DeAk, artists and founding members of the New York non-profit organization Printed Matter, Inc., along with Joshua Cohn. Occupying a unique position between mainstream and underground, Art-Rite has long...
Politics/Poetics: Documenta X - The Book
¥9,900
Exhibition catalog published in conjunction with the 10th documenta held in Kassel, Germany from June 21 to September 28, 1997. Documenta, which started in Kassel in 1955, is a large-scale international art exhibition held every four or five years. That year, Catherine David became the first female artistic director of...
¥5,060
The book is edited by Ursula Block, a Berlin-based curator who ran the gallery and record shop Gelbe Musik, a gallery and record shop that dealt with works at the intersection of music and art, from 1981 to 2014, and Michael Glasmeier, an art historian and writer who, since the...
Manifesta 9. The Deep of the Modern: A Subcyclopaedia
¥8,140
Exhibition catalogue published to coincide with the 9th Manifesta contemporary art biennial, held in Genk and Limburg, Belgium from June 2nd to September 30th, 2012.Manifesta is a biennale whose greatest feature is that it changes venue every two years, and it continues to explore the possibilities of an experimental biennale,...