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6月店舗営業日のご案内 <tc>Online Store Fulfilment Notice: 7–12 June</tc>
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<tc>A Conversation on Daniel Shea’s Distribution</tc> <tc>Beyond the Banality of Correctness ── Daniel Shea, Distribution</tc> <tc>Loosening the Gaze: Marte Aas, “Vertical Shift”</tc> <tc>From Subsumption to Coexistence—Roe Ethridge's "Le Luxe"</tc> <tc>Where Travel Meets Photography──On the “As Seen” Series</tc> <tc>[Article] Transforming Images, Crossing Boundaries—Wolfgang Tillmans and Contemporary Photography</tc> <tc>Embodied Perception, Image, and Distance—Coastal Landscapes by Daniel Reuter and Chikara Umihara</tc> <tc>A Dream of Ruins Lit by the Strobe Light──Leticia Le Four's "Le Crépuscule des Lieux"</tc> <tc>No One’s but My Photographs of Fifteen Years ― Ai Ezaki Archive of affection, obsession</tc> <tc>[Book Review] Towards a Photobook Beyond Historical Documents──"Heap-O-Livin': Selections from the Lora Webb Nichols Archive 1899–1962"</tc> <tc>An Introduction To Bertien van Manen</tc> Archive
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#001 | Aglaia Konrad
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#005 | Photography Kharkiv School of Photography
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6月店舗営業日のご案内
<tc>Online Store Fulfilment Notice: 7–12 June</tc>
Events
ARCHIVE
Articles
<tc>A Conversation on Daniel Shea’s Distribution</tc>
<tc>Beyond the Banality of Correctness ── Daniel Shea, Distribution</tc>
<tc>Loosening the Gaze: Marte Aas, “Vertical Shift”</tc>
<tc>From Subsumption to Coexistence—Roe Ethridge's "Le Luxe"</tc>
<tc>Where Travel Meets Photography──On the “As Seen” Series</tc>
<tc>[Article] Transforming Images, Crossing Boundaries—Wolfgang Tillmans and Contemporary Photography</tc>
<tc>Embodied Perception, Image, and Distance—Coastal Landscapes by Daniel Reuter and Chikara Umihara</tc>
<tc>A Dream of Ruins Lit by the Strobe Light──Leticia Le Four's "Le Crépuscule des Lieux"</tc>
<tc>No One’s but My Photographs of Fifteen Years ― Ai Ezaki Archive of affection, obsession</tc>
<tc>[Book Review] Towards a Photobook Beyond Historical Documents──"Heap-O-Livin': Selections from the Lora Webb Nichols Archive 1899–1962"</tc>
<tc>An Introduction To Bertien van Manen</tc>
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Home › All Items › Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
Marlene Dumas: Intimate Relations
¥5,610

Marlene Dumas: Intimate Relations

Roma Publications

A work published in conjunction with the solo exhibition of South African artist Marlene Dumas at the National Gallery of South Africa in Cape Town from November 7, 2007 to January 13, 2008. collection.

This book, produced on the 30th anniversary of her move to the Netherlands, is a private collection of Dumas' oil paintings, drawings, early works, and writings. While the first edition (2007) was dedicated to Dumas' mother, who died that year, this new fourth edition is dedicated to her brother, Peter, who is six years older and includes an additional portrait of him. It is

Study Polaroid photos are also included. It's also nice that the first half of the sketchbook part uses textured paper.

-

Title: Intimate Relations
Artist: Marlene Dumas
Roma Publications, 2022
Softcover,
260 x 210 mm
140 pages
Text in English
4th edition (originally published in 2007)
¥5,610 -
− +

rest point

 
 
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