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<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
<tc>Distribution ─ Daniel Shea</tc>
¥17,600

Distribution ─ Daniel Shea

MACK

A photobook exploring what it means to photograph the forest through a rigorously constrained and formally ambitious approach.

Distribution is a photobook by American photographer Daniel Shea, beginning with a deceptively simple yet far-reaching question: what does it mean to photograph the forest? Confronting the difficulty of representing the totality of nature—of conveying an immersive, holistic experience through a medium that necessarily fragments—the book develops through a series of deliberate constraints. Over several years and across multiple locations, Shea photographed dense forests with a telephoto lens and made images of cities only from inside a car, effectively reversing the old adage of “not seeing the forest for the trees.” Through this restricted practice, he brings into view what resists straightforward representation: ecological complexity, social entanglement and the larger structures that shape both.

The result is a work that probes the tension between environments saturated with overwhelming density and the patterns that slowly emerge through repetition, accumulation and framing. Opening with a portrait of Jessica, a woman positioned as the statistical median of the American population, the book gradually expands outward into surfaces, architecture, trees and groups of people. In doing so, Distribution asks how we locate subjects—and the problems bound up with them—within a world structured by competing forces of density and dispersal. Also included is a short story by the writer Catherine Lacey.

A major new work by Shea, whose practice continues to expand the possibilities of photography across disciplines, Distribution is a remarkably accomplished book that mobilises the full range of photobook expression.

Book Review
Beyond the Banality of Correctness — Daniel Shea’s Distribution
by Yukihito Kono

Title: Distribution
Artist: Daniel Shea
Publisher: MACK, August 2025
Format: Embossed linen hardcover
Size: 215 × 270 mm
Pages: 392
Language: English
Edition: First edition
ISBN: 978-1-917651-29-5

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